Help
by Jerry
"Help", written by Rebecca Rand Kirshner, is about helping. How
and why to try to help others, and how to know if you've succeeded.
The show opens in a funeral home, on a shot of a middle-aged woman
lying in a coffin. The funeral parlor workers leave for the night,
the lights go out, and coffins start to open. It's not vampires
- it's Buffy and Xander. They've apparently been laying in wait
for over half an hour to prevent this one potential vampire from
rising, which seems pretty inefficient to me, and to Xander, but
I guess it's a sign of Buffy's increased dedication to her calling.
There's a knocking on another coffin, and they release Dawn - her
coffin lid was stuck, and she complains about being forced to use
a child coffin despite being taller than Buffy. They're all a bit
testy - Willow's return has created some tension, there's the promise
of a looming apocalyptic evil, and Buffy's stressed out about work.
She's about to start meeting with students the following day, and
is a bit insecure about her near-total lack of qualifications. At
any rate, they examine the body, and question whether she's likely
to arise, despite puncture wounds on her neck. Perhaps they are
confused, as Sunnydale's vampires, like network executives, usually
target the coveted 18 to 34 demographic. Dawn remarks that the woman
looks peaceful - "I'm not peaceful!", she responds, opening her
eyes. Buffy pulls out a stake and makes her peaceful.
This week's credits highlight - Mummy hand !
The following morning, Buffy's in her spacious new cubicle, idly
sharpening pencils, when she gets her first visit. We cut between
Buffy's conversations with several of her "clients". First is a
girl who reports a boy is picking on her. Buffy advises her that
bullies are just insecure, and you need to stand up to them. The
girl is pleased, informing Buffy that she did just that, jumping
the guy and pounding his head into the pavement. She wonders eagerly
if she should do it some more. Buffy is less than pleased by how
that session turned out. A Hispanic teen is reluctant to talk. Buffy
eventually gets him to admit his real concern - his brother has
joined the marines, and he's worried something will happen to him
(a rare nod to real life situations). He fears being all alone,
but also doesn't want to talk to his brother about it. Buffy's a
little more helpful as a sympathetic ear here. And the kid's problems
(a fear of abandonment and an unwillingness to communicate his feelings)
are not exactly alien to Buffy. Come to think of it, the overly
violent girl was not that alien to Buffy either.
A large, somewhat cocky-looking student, Peter, (one of the sons
from "Home Improvement", which seems to have distracted some people),
comes in next. Buffy tries to delve into his issues, but he turns
out to be totally insincere, and just there to get out of class.
Meanwhile, Xander and Willow are out walking, discussing how Buffy
is doing on the job. They have faith in her abilities, and wish
she wasn't so insecure about her absolute unpreparedness for the
job. Xander comments on the pending massive badness, and Willow
frets about her inability to help (or even her capacity to hurt)
when it all goes down. Xander feels that life is pretty much carpentry,
so he explains Willow's situation as being like a hammer - you can
opt for power or control, but there's a tradeoff between the two.
Of course, the problem is that Willow has no choice in having the
power, so she may or may not have much say in the control, either.
Xander reassures her that she'll be okay in time.
They apparently have arrived at where they were going. Xander asks
Willow if she's okay. She says she is, and goes on without him.
We see we're in a graveyard (very different from the ones the show
is usually set in, by a lake and much more wide open - possibly
not even in Sunnydale), and it's reasonable to guess at why Willow
is here, and why she's wearing black. She finds the gravestone she's
looking for, leaves a few small stones atop it (which I'm told is
a Jewish tradition), and kneels on the ground. We see "Tara Maclay,
Oct. 16, 1980-May 7, 2002" engraved on the stone. "Hey," says Willow
wistfully, reaching out to feel Tara's name on the headstone, "it's
me." She starts to look like she's about to cry, and we are left
to imagine the rest. I think it's a pretty touching farewell.
Buffy's talking to Josh, a nerdy-looking student. He tells her
he thinks he's gay. Buffy is flattered that he's want to talk to
her about something that important, and encourages him that that's
totally okay. But it turns out Josh's idea is that Buffy can help
him prove whether or not he's gay - by dating him. Buffy's not too
receptive to Josh's master plan.
Buffy's next client has sister issues. She feels overshadowed,
and struggling to establish her own identity. Her sister is too
controlling. "And she borrows my clothes without asking", is the
response, and we see she's talking to Dawn.
Buffy's last interview is with a girl named Cassie. She's kind
of cute, a bit hippie looking, with pink highlights in her blonde
hair. Cassie hasn't been doing her homework. Buffy suggests that
just getting through High School opens up possibilities, such as
college and the French Foreign Legion. Cassie explains that she
isn't going to graduate. Buffy wants to know why. "Because, next
Friday, I'm going to die", Cassie answers.
Cassie doesn't really want to talk about it, but obviously Buffy
needs to. She thinks Cassie is planning to kill herself, but that's
not the case. Buffy takes this seriously. She needs to know why
Cassie thinks she's going to die. Cassie explains that she doesn't
think it, she knows it. Some things she just knows. Like that there
will be lots of weird coins, and that Buffy will go somewhere dark
underground, and that Buffy will try to help, but can't. As she
gets up to leave, she tells Buffy to put on a sweater so her shirt
won't get stained.
Buffy goes to report the problem to Principal Wood. He takes it
in stride, explaining that teenagers will say all sorts of bad things.
Wood explains how he was bullied in high school, and used to tell
everyone that his tormentor should "sleep with one eye open, because
I was gonna bust his ass". He explains that he got suspended, as
that sort of talk is taken seriously where he comes from. "The 'hood?",
Buffy asks, only to be humbled by his answer - "Beverly Hills. Which
is A 'hood." Wood explains that they have limits to their abilities,
and just do what they can. Buffy can't really accept that. She explains
that she doesn't usually get warned before somebody dies, a comment
that makes Wood curious. In her agitation, Buffy spills coffee all
over her shirt, harkening back to Cassie's comments.
Dawn is at her locker, putting away a book. She closes the door,
only to find Buffy lurking. Buffy has a job for her.
Cassie is in the library with her friend, Mike, as Dawn looks on
surreptitiously in the background. Mike's kind of nerdy, though
with an Oz-like laid back self-assuredness. He's trying to talk
Cassie into going to a dance with him, and she's repeatedly declining,
due to the fact that she's planning on being dead. Dawn introduces
herself and asks Cassie for information about their homework for
a class they share. Mike leaves to go take a test, and Cassie tells
him he's going to get a B. Cassie is reading "Slaughterhouse Five",
a book I haven't read and thus can't really discuss the significance
of - perhaps it touches on the inability to elude fate, but that's
just a guess. Cassie says she's just reading it because she wants
to - she's not too much into doing homework anymore. Cassie figures
out that Dawn is "the counselor's little sister", which Dawn denies
- Buffy is HER sister. Cassie's pretty smart, so I suspect she knows
why Dawn is buddying up to her. Dawn asks why she isn't going to
the dance with Mike. Cassie says she won't be around that night.
Back at Buffy's house, Buffy, Xander and Willow are rummaging through
Cassie's life. Willow has hacked into Cassie's records, and notes
that she was a good student until recently. They've improbably gotten
Cassie's doctor to send her medical records, and Xander reads through
them until running into some of that stuff guys prefer not to think
about. Buffy tends to believe Cassie, but Xander and Willow think
she's seeing the supernatural while looking at the natural. Willow
"googles" Cassie, and finds her web site. We get a bit of Cassie's
overly sincere poetry. As Xander is scoffing at Cassie's penchant
for melodrama, Dawn comes in. Willow sympathizes with Cassie, explaining
that she was occasionally known to post love poems on the web in
her teen years ("I'm over you, Sweetie", she tells an excessively
impressed Xander), as well as the occasional Doogie Howser fanfic.
Dawn suggests that she knows what's up, as Willow pulls up information
on Cassie's father. Dawn thinks it's Mike, as she starts to sound
like Humphrey Bogart, or at least Dennis Franz ("I got the perp
fingered. I'm liking Mike Helgenberg for the perp. Let's collar
him before he lawyers up.") Seeing that Cassie's father has a history
of drunken arrests, Buffy and Xander, each with a few "bad father"
issues, leap to the conclusion that he's the threat.
Buffy and Xander are at Mr. Newton's. They introduce themselves
as working in the school. Buffy tactlessly explains that they are
worried he will get drunk and hurt Cassie. Mr. Newton (in a good
acting performance, I should add) explains that he's no saint, but
he loves his daughter and doesn't hurt her. I think it's pretty
clear that we're supposed to see Buffy as in over her head, despite
her good intentions. Mr. Newton explains that he only sees Cassie
once a month, and won't be seeing her the coming weekend. As a chastened
Buffy and Xander are leaving, they run into Cassie. Cassie explains
that her father isn't the one who's going to kill her. She appreciates
their efforts to save her, but considers them futile. Buffy tells
Cassie to fight it. Ironically, given last season, she accuses Cassie
of not really wanting to live. Cassie explains that she does. She
wants "to do things. I want to graduate from high school. And I
want to go to the stupid Winter Formal... And I'd love to see my
cousins grow up, because they're really mean and I think they're
going to be fat. And I'd love to backpack across the country, or,
I don't know, fall in love." It's moving speech, and reminiscent
of Buffy's "I'm sixteen years old, Giles - I' don't want to die!"
outburst from "Prophecy Girl". Buffy refuses to accept the inevitability
of her death, and tells Cassie she just needs to tell them what's
up. Cassie doesn't know the details - just that something, somewhere
out there, is going to kill her.
We cut to the library, where a circle of red-robed figures is chanting
and carrying candles. This may be one of those extracurricular activities
you don't list in the yearbook. One of them uses his candle to light
a fire in the middle of the circle. We see Cassie's picture in the
center of the fire. It seems unlikely they are praying for her well-being.
Buffy is at her desk at the school, checking out cassienewton.com.
We hear Cassie's poetry, first in Buffy's voice, then in Cassie's.
"I sit alone at my windowsill. Trees crackle, sunshine blares. And
children laugh like death." For some reason, this line makes me
think of Buffy listening to the children playing outside in "The
Body", though it may not be meant to. "Their sharp happiness is
a knife to me. One jealous snake on a windowsill." We see Cassie
hanging out, seemingly happy, with Dawn and Mike, hiding her feelings
of impending doom, and probably her resentment of those who have
a future. "They'll be here, trees and sun, and children with canes
and pruney skin." We see the Scoobies researching. Perhaps we're
to think of them as forced to be mature before their time? "When
I am but a memory I laugh in the trees of time. I sit alone and
try to love them. I sit alone a snake. I sit alone and try to love
them. I sit alone and laugh." Cassie has understandable resentment
about her lot in life, and struggles to accept it. In a lot of ways,
she's not unlike Buffy, which I think is the point.
As Cassie predicted, Buffy is underground - in the basement, specifically.
She comes upon Spike, who is sitting in silence against a wall.
He explains that if he doesn't move or think, he won't hurt - at
least not so much. If Buffy's moved by his pain, she's not dwelling
on it. She wants him to help "a girl in danger". She asks if there's
something evil in the school. Spike says there is - him. "William
is a bad man. I hurt the girl." He starts to punch himself violently.
Buffy stops him. She's concerned he's done something awful. "I hurt
you, Buffy," he tells her. She's a bit more compassionate knowing
that he's only referring to what he did to her. She tries to calm
him to get him to help. He admits he knows nothing about the threat
to Cassie. Frustrated, Buffy turns to leave. Spike pleads with her
not to leave, but rather to stay and help him. "I think it's worse
when I'm here", she tells him, being, I think, partly sincere and
partly preoccupied with Cassie. She still hasn't much clue what
to make of Spike, and she turns and goes. "Don't let hij hurt the
girl", Spike mutters as he watches her leave.
As Principal Wood is searching lockers, an unhappy Mike walks down
the hall with his test in his hands. He got a B after all. Buffy
pops up in front of him for a bit of interrogation. Having struck
out on other lines of investigation, she's ready to test out Dawn's
theory. Buffy brings up Mike's inability to get a date for the dance.
Mike says he's okay about that. Sure, Cassie turned him down, but
he's philosophical about it - he figures making guys crazy is a
woman's job. In fact, he's thinking about asking Dawn. Buffy's relieved
to discover Mike isn't likely a threat. Then she's angry - partly
because Mike wants to ask out her sister, and partly because Dawn's
his second choice. Suddenly, there's a clatter of coins falling
out of a locker behind them, causing Buffy to let Mike go.
Buffy interrogates the owner of locker number 281 about the coins.
He says he doesn't know anything. Buffy is impatient. She explains
that she came back to the school to help. She wanted to connect.
And she'll connect with his face if he doesn't provide some answers.
Not really the best recipe for a career in education, in my book.
But effective. He explains that Cassie is sort of a freak, and some
of his friends have a plan to mess with her.
Dawn and Cassie are leaving the school. Dawn is trying to stick
with Cassie, who's looking to walk to her mom's house. Cassie explains
that she knows Buffy asked Dawn to pretend to be her friend. Dawn
explains that Buffy can help, and that she did send her, but she
also really does want to be Cassie's friend. "You are my friend,"
Cassie laughs as she starts to walks off. She tells Dawn whatever
happens isn't her fault.
Peter (Home Improvement guy), calls out to Dawn. He asks if she
has a date for the dance. Dawn is flattered by his attention. "I
was just doing a poll", he tells her derisively, and walks off smugly.
Dawn shakes off his insult, but when she turns around, Cassie is
nowhere to be found.
Back in the library, the red-robed students are making with the
torches and the chanting. We see (shockingly!) that Peter is their
leader. He checks with the others, who explain that the place is
booby-trapped. No one is getting in. And no one is getting out,
he explains, as he reveals a bound and gagged Cassie. The others
seem uncomfortable with that, but he explains that she's the sacrifice.
Suddenly, as he recites the ritual, Buffy reveals herself as one
of the robed figures (I won't dwell on the likelihood of her pulling
this off).
"Get back you stupid bitch!", Peter shouts, and Buffy kicks him
in the head, and then in some other places. She mocks the lameness
of their rituals, noting that perhaps it required some bad eighties
metal to raise lame demons. "That lame demon?", Peter replies. Buffy
turns and meets a rather big and ugly one. Buffy fights it and is
holding her own, but in the meantime, Peter has regained his meat
cleaver and is menacing the bound Cassie. Suddenly Spike appears
with a torch. I guess the library was less secure than the geeky
cult thought. He gives Buffy the torch, and she sends him to untie
Cassie. Spike beats the crap out of Peter, despite the chip pain
at every blow. "Who are you?", Peter asks. "I'm a bad man", says
Spike, menacing him with the cleaver. As Buffy burns up the demon,
Spike turns away from Peter to untie Cassie. "She'll tell you",
Cassie says to him cryptically. "Someday, she'll tell you." My sense
of the story is that she most likey means Buffy will someday tell
Spike she loves him. But the more mundane interpretation that someday
she'll forgive him is also possible. As Buffy comforts Cassie, Spike
wanders off, and Peter crawls over to yell at the burned up demon.
"Where are my infinite riches?" he demands (always good to stay
focused in the face of adversity). He demon springs to life long
enough to bite him before combusting. Buffy oddly chooses to leave
Peter alone in the library as she leaves with Cassie.
She reassures Cassie that everything will be okay. As she opens
the door, a booby trap fires, launching an arrow at Cassie's head.
Buffy grabs it in midair. "See," she tells Cassie. "You can make
a difference." Cassie reaches out to stroke Buffy's hair. "And You
will.", she tells her, and then suddenly collapses and dies.
Buffy, Dawn, Xander, and Willow are sitting disconsolately in Buffy's
living room. Buffy explains that she's talked to Cassie's mom. She
learned that Cassie's family had a history of heart problems that
Cassie never knew about. Buffy notes that Cassie was special, perhaps
identifying with Cassie's ability to accept her unhappy lot in life.
"I failed her", she says. "No. You didn't", a tearful Dawn tells
her. Dawn explains that Buffy did help her, and because of Buffy
she became Dawn's friend. Buffy wonders what you do when you know
that all your efforts to help can ultimately fail to change fate.
In the last shot, we get the answer. Buffy is back at work, ready
for another day and more potentially unsolvable problems. All you
can do is try, and that has merit in and of itself.
-- Jerry
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