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Ladymol's
Review
This
is a story about the unexpected romance between a well off, white doctor
and a young black man.
Brendon
has the perfect American life. Son of a popular Republican senator, he’s
rich, handsome, has the perfect socialite wife and two beautiful children.
One day, a young black man, Jonathon Miles, comes into his surgery and
Brendon experiences an overwhelming physical attraction to the man. It’s
a mutual response and before long they’ve become lovers. But however good
the physical is between them, they develop a much deeper bond emotionally,
and Brendon has to face the incredible truth that he’s in love.
They
have everything against them, not least that Jonathon is black and could
never fit into Brendon’s republican, old-money life. They try to snatch
moments to be together but gradually the frustrations threaten to tear
them apart.
I
read this story in a day. It was just a little too coy for my taste. After
a very promising opening scene between them, sex from then on is of the
“they made love then lay in each other’s arms” variety. I also found the
end very unsatisfying. I think the author was going for enigmatic, but
the book is simple and needed a simple, resolved ending. For all that,
this is well worth curling up on the couch on a cold day and sipping like
hot chocolate. It’s a wonderful tonic to some of the more bizarre gay
novels we’ve tackled. This would make a great movie on Hallmark (if they
made films about gay mixed couples).
Cerisaye's
Review
"There
are some things I know about love, and one of them is this: If it's going
to last, mean something, it can't be just a romantic fantasy. The kind
we've been playing at. You can't keep it tucked away in a little compartment
and bring it out only on special occasions. When you've got time for it.
It has to be out there all the time, gaining strength, so it can survive
the harsh realities it's bound to bump up against, day after day. It has
to—or it will die."
This
novel annoyingly stops at exactly the point I wanted it to continue. After
168 pages leading to the jump-off we’re left going Huh? That’s it? like
it’s half a book.
Another problem was dialogue which is stilted and unnatural, so you’re
consciously aware they’re characters in a made-up universe. Doesn’t make
it easy to believe they’re flesh and blood people.
They’re not cardboard cut-outs, otherwise I wouldn’t have cared what happened
to them; but you know they’re there to stand for something: Brendan, successful
but empty physician drifting through somebody else’s idea of his life,
rich and upper class but with a conscience; his shallow wife Sandra who
(like Jack Twist’s Lureen) could phone in their marriage; Brendan’s emotionally
distant parents, political high fliers with no time for their only son
but lots of material advantage and demanding expectations; and Jonathan,
handsome black man who sweeps Brendan off his feet making him acknowledge
he’s gay and at the same time see his privileged world of country clubs
and charity dinners as it really is, brutal and ugly for those shut outside
whether by poverty, sexuality or skin colour.
Yet, somehow, I liked the book. It’s simple, direct and readable- easily
finished in a couple of undemanding hours. It’s got one of the best opening
scenes I’ve encountered, introducing the romantic pairing in a way that’s
unusual and very erotic in a kinky way that appealed to me. Straight away
I wanted Brendan happy and with Jonathan.
Maybe if I hadn’t read so much original character m/m fiction I might’ve
been even more impressed. It’s frustrating because unlike OC net-fic it’s
annoyingly coy when it comes to sex. However that’s just personal preference.
I liked Brendan the repressed doctor and Jonathan the aspiring opera singer
who awakens him- in a nice touch Brendan reads Madame Bovary. It’s a hot
premise that pushes a few buttons: hunky black gay man and apparently
straight preppy married guy meet and instantly sparks fly, a hot make-out
session convincing Brendan this is what he’s missed all those years. Brendan’s
loneliness and absence from his own apparently idyllic life makes it believable.
This isn’t something that springs out of nowhere. Brendan’s background
meant he’d never been able to admit even to himself his attraction to
men. He did what was expected and ended up with everything and nothing,
an existence without passion, all surface and no depth (a bit like all
the characters except Brendan).
Brendan & Jonathan can’t control their attraction though it makes
life difficult. There are many obstacles to overcome- homophobia, class
differences and racism- though it takes a while for problems to intrude-
Jonathan’s patient acceptance of being a male mistress stretches credulity
before things come to a head. We only have Brendan’s POV so Jonathan remains
a rather shadowy figure. This is romantic fiction and to work we need
to feel the passion. I didn’t quite connect enough with Jonathan (as person
not a symbol) to get that it goes two ways. His sudden decision to follow
his dream of professional singing seemed tacked on to force the issue
with Brendan, another example of weak writing.
What’s best about the novel and truly a beautiful thing is the way Brendan
opens up, freed by his desire for another man, and the way that permeates
his whole life. Loving father devoted to his children, determined to do
his best and show them (particularly his son) they’re loved (reading stories,
sharing family meals, just being there). I felt no sympathy for wife Sandra
and her selfishly materialistic attitude, so it didn’t bother me at all
Brendan was having an adulterous affair with a man who appreciated him
for his good qualities not income and background. Meeting Jonathan opened
Pandora’s box for Brendan, no going back.
It’s not about gay or straight or bi. Just a love that grows between two
men connected by loneliness and the need to love and be loved. The message
is life is full of choices: we only get one shot so follow your heart.
Whether Brendan listens to his or ends up living with the regret of lost
love remains in question right to the (rather abrupt) ending. Still it’s
a nice sweet gay romance if you don’t expect the intensity and staying-power
of Brokeback Mountain.
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