I've had an epiphany
The more I think about Entropy and Seeing Red in terms of what's
happening with Spike, the more I think a whole mess of soul/redemption
anvils were lobbed our way during the two episodes. We just need
to recognize them. Please forgive me for the length of this post,
but laying out some of Spike's dialogue over the two episodes painted
such a clear picture for me that I wanted to share it.
One of Elsa's posts about what a huge thing Spike's remorse in
SR is got me to thinking, and I believe she's right. What happens
in Seeing Red is MAJOR. And I'm not talking about the attack. We're
shown a vampire who's experiencing overwhelming remorse for an evil
act. When have we ever seen that before? Only with Angel have we
seen a vampire tortured by images of what he's done. We've seen
Spike show plenty of emotion over the years, even regret and pain.
But--someone correct me if I'm wrong--only this year have we seen
him express guilt.
Several people commented on it at the time, but now I wonder if
the scene in Hell's Bells wasn't foreshadowing, a hint of the changes
taking place in Spike:
Buffy: It doesn't change anything, but if you're wildly curious.
Yeah, it hurts.
Spike: (instinctive) I'm sorry. (catching himself) I mean, *good*
His knee-jerk, instinctive response on being told he'd hurt Buffy
was regret (guilt?) -- I'm sorry. Since when does a soulless, conscienceless
demon care if his actions hurt someone?
Spring forward to Entropy and Seeing Red. In nearly every scene
in which he appears, the writers tell us over and over, through
Spike's words, that something has changed inside of him.
To Buffy, when confronted with the cameras: "You think I was spying
on you. You think I could do that?"
"Something happened to me. The way I feel. About you. It's different.
And no matter how hard you try to convince yourself it isn't, it's
real."
To Anya, when she laments that no one cares about her pain: "I
care. What he done to you? I'd never stoop that low. And I'm an
evil, soulless thing. According to some people."
When Dawn asks how he could hurt Buffy by sleeping with Anya: "Must
still be a bit of the evil left in me after all." His voice is shaded
with hurt and irony here. This comes shortly after his line "must
be true then." As Laura noted, the implication here is that though
he doesn't feel evil, everyone's saying it, so it must be true.
What's really interesting is what happens after Dawn says, "If
you wanted to hurt Buffy, congratulations, it worked."
The next time we see Spike, he's walking into Buffy's bathroom.
Why is he there? I do *not* believe it's because Dawn's words convinced
him he still has a shot with Buffy. I think that when he goes to
Buffy initially, he still believes that ship has sailed ("Not that
it matters anymore..."). I doubt it's consciously on his part, but
he goes to her because Dawn's words made him feel guilt, and he
needs to assuage it.
"This isn't just about you, so much as you'd like it to be." This
line is fascinating. I really doubt Spike understands intellectually
what's happening to him, but his words reveal that his apology to
Buffy isn't just to make her feel better. HE needs to do it, to
make HIMSELF feel better. Giles could have explained it to him:
"To forgive is an act of compassion, Buffy. It's not done because
people deserve it. It's done because they need it."
"I'm sorry. Not that it matters anymore, but I needed you to know
that.... Because I care about you." What a simple and very complex
thing this is. Spike's apology isn't made to "fix" things, or to
get Buffy back. It's made because he's hurting and feels it will
help and because he knows now that Buffy's hurting and he needs
her to know he's sorry.
Of course, the whole scene goes terribly wrong after that. The
intense pain he's been battling ("I wanted something. Anything to
make these feelings stop. I just wanted it to stop. ...You shoulda
let him kill me.") overwhelms him and that, coupled with Buffy's
admission that she cares about him, snaps him into a terrible, terrible
place. We all know what he nearly does.
And afterwards the guilt. We've talked about how tortured he is
in the scene with Clem. We recognize it as overpowering guilt, but
does he?
"What have I done? ... Why *didn't* I do it? ...What has she done
to me?"
Spike: "Why do I feel this way?"
Clem: (simply) "Love's a funny thing."
Spike: "Is that what this is?"
It's not love he's feeling here. Spike knows what love feels like.
It's the guilt he doesn't recognize, can't put a name to. "I can
feel it, squirming in my head. The chip. Gnawing bits and chunks."
The chip isn't causing this pain, but it's understandable that Spike
wouldn't recognize an emotion he's not supposed to have, one he
hasn't felt in over a hundred years. So it must be the chip. "It
isn't supposed to be this way. It's the chip. It won't let me be
a monster and I can't be a man. I'm nothing."
At the risk of repeating myself, this is huge. Try to imagine Angelus
or any other vampire in any of the scenes above. I don't know if
the writers would label it a soul or a conscience or what, but they
could hardly make it any clearer that a fundamental shift has happened
inside of Spike. Seeing Red is one huge, honkin' anvil. Spike is
not a remorseless demon. He's not a remorseless anything.
I'm positively giddy about where his story is going now. Even
if the writers, for whatever reason, decide to ensoul Spike or make
him human (please no), I realize now that I *did* get the story
I wanted. Spike evolved from a conscienceless demon to a being who
cannot bring himself to commit an evil act against someone he loves
and who feel enormous guilt even over the attempt. We *are* getting
the struggle of a soulless being to do good. This IS the Redemption
arc. Redemption is happening now! We're watching it unfold right
in front of us. Let's celebrate, people! And get ready for the next
step.
As Clem said, "You never know what's just around the corner. Things
change." I don't know what's coming up for Spike, but I'm very happy
on this ride.
---
Cissy (3 May 2002)
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