Tallgent's Thoughts on "Just Rewards"
It was an entertaining first episode, but if my bias is shamelessly
exposed than this is the one that did it. And with that…
1. James Marsters finally makes good on his second billing.
Spike's back and all of the sudden the energy level goes
stratospheric.
2. Loving the exasperation with Angel dealing with Spike.
Boreanaz's eye roll when Spike tagged along was awesome.
3. Some are calling Spike's sarcasm a step backward, but I find
it pretty consistent with his "Kick the Spike" fatalism. He's always
going to be the kicking boy so why not enjoy it while he suffers.
4. But what I love is Spike's whole resignation to everything.
When he goes to swing at the demon and his fist goes through with no
effect, Marsters did this world weary thing that was hilarious. As
if "what else is new?" It's kind of funny/sad in a way. All this
stuff just keeps happening to him and now he's almost used to it.
5. Great job on the reaction from Angel's crew. Shock and
betrayal just about cover it.
6. And as for Angel, shame on him. His spite and pride are
going to be a detriment to him very quickly…if it hasn't already.
7. Good Harmony by Mercedes McNab. Angry at Spike for Buffy,
and yet she's still attracted to Blondie Bear.
8. And better reaction from Marsters. Pretty much disgusted but
still willing to exchange words. I think Spike enjoyed his time with
Harmony, regardless. Great sex probably helped some.
9. Necromancer villain was very cool. I miss that about Angel.
Demons with disgusting fetishes or hobbies. And the show isn't
afraid to show its sometimes gruesome darkness—sometimes with a sick
wink.
10. Spike taking advantage of the sitch by getting his licks on
Angel. Typical. He may be a champion but he's still a dick.
11. And the ending was top notch. Fred's look was so filled with
compassion, something Spike surely needs.
12. David Fury's got to be the best writer at giving us full-bodied
Spike. While I loved Jane Espenson or Rebecca Rand Kirschner's
romanticism, it wasn't honest as to who Spike is. He has an
incredibly sensitive, poetic soul but the seasoning of his vampire
siring and having so much blood on his hands makes an impact. He's
got a dark side. And he can also be a pain in the ass.
You can say what you want about Fury's feelings on Spike, but the
director gave us so many POV shots of Spike. We saw his last moments
with Buffy through his eyes, we saw his reaction to going through
Angel and ending up "in" the desk, and we felt Spike's frightened
vulnerability at his ghost-like state. I loved how Spike was always
hugging himself throughout. Weird building. Weird people. The only
thing reassuring was himself.
Then there was Angel. The last person he wanted to see was him,
especially after Buffy. He didn't get his chance in Sunnydale,
probably out of respect for Buffy. But she ain't here, and he is. So
naturally he takes his opportunity.
Physically it doesn't work. And I suppose the pre-dusted Spike would
have left it at that.
But the Spike who comes back is scared to undeath, thrust into a
situation he didn't sign up for. He wanted to rest in peace and
instead he's having a comely young female probing him in a science
lab.
Then there's the reaction to the mistrust which is something I
completely I agree with. I don't care how much experience Angelus
had with Spike or Angel had with him. Spike's sacrifice changes
everything. He doesn't need to explain himself anymore or his
motives. And he certainly deserves to be given the benefit of the
doubt.
Angel should treat him as an equal and that is something Angel
refuses to do. The exposition of Spike explains why. "The worst
vampire second only to Angel."
In Angel's mind, he is always going to be first. And he can't handle
it that maybe things have changed. Maybe he's not first anymore.
13. Does he have reason to believe this? I think so. Angel's
suffering through some major guilt. It should have been him with the
amulet and it should be him who is transparently tormented. And even
if Buffy wanted him gone, he should have refused to leave. He gave
in to easily.
This was supposed to be for him.
Or was it?
As was his role with the Scoobs, Spike is the truthteller with
Angel. He made a bad deal. This isn't who he is. You're getting
devoured inside the belly of the beast. They are all true, and
Angel should figure this out. Like a champion is supposed to.
But he probably doesn't feel like a champion much anymore. Not when
he's sleeping with the enemy.
Spike has excelled him. And Angel lashes out in spite.
14. And yet, the connection between them refuses to go,
metaphorically shown by the spiritual umbilical between them. It's
always been there, I think. Even Angel saved Spike from getting
staked by Buffy. So there's an instinctive protectiveness
between grandsire and grandchilde.
But now there are more unwanted, intimate connections. They both
have souls. They both loved a Slayer. Different circumstances, sure.
But after all the falderal, the two are more connected now by their
similarities than they are separated by their differences.
But those differences are huge. Why does Spike get to be a hero,
when I've suffered for countless centuries with a soul I didn't even
want with a destiny I thought I was chosen to fulfill? Why does he
get it easy? What was it all for then? I deserve my reward, dammit!
And as for Spike, he more than earned his redemption. That's not why
he wanted to be a hero anyway. He did it for love, simple,
uncomplicated love. He did it because someone had to. If that's not
enough, then what else is there?
Two vampires feeling cheated out of something they wanted so much.
What else is there? They're about to find out.
15. In the end it all comes down to reconciliation. Two brothers
that need to come to an understanding with each other. You may hate
me, I may hate you. But you're all I got right now.
So Angel needs to come to an acceptance of the way things are. Life
is fluid. Choices change things. Wesley mentioned that Angel's heart
didn't appear to be in it anymore. Spike is put back in a life he
thought he was done with, and put into peril that could be the last
sick punchline to his thankless existence.
The only way both are to find their inner peace and purpose is
through each other.
**SPUFFY RALLY CALL AND SHIP ANALYSIS**
16. The uproar over the deleted lines in the "Chosen" flashback
wasn't quite as voluminous as I expected. I think everyone was just
so jazzed that Spike was back. It was interesting to see the whole
event from Spike's eyes. Buffy's POV was grand and illuminating;
Spike's was simple and touching.
And consistent with his belief that she didn't love him.
But this gets kind of muddied with his reaction at her name. He
fears the worst, is relieved to find that she's alright, and makes
the decision to go to her. Now if he didn't think she loved him, why
would he do all that?
Maybe there was more in the bursting flames for both of them then we
have yet to see.
Speaking of grand, it must be the Catholic in me, but I found much
to fanwank in its subtext.
I loved that Angel had heard the intimate details about Spike. How
he went out to get his soul and suffered in a basement for three
weeks and ended up saving the world through his sacrifice. The only
one who really had such knowledge was Buffy. While it's possible
that Buffy told one of the others, it's only been 19 days according
to the show. I don't know if she'd still be able to put it all into
words.
But I think she does tell Angel, if only to set him straight. Chosen
was very Pentecostal for me. One minister's review mentioned that
the scythe bestowing Slayer powers on "every girl" was like the Holy
Spirit descending on the Apostles.
The thing about the Apostles, at least according to Holden
Caulfield, was that they always seemed to be ineffectual. They
couldn't articulate who exactly Christ was. And with Spike being the
Christ-figure in Season Seven, I saw Buffy as his only witness. But
a witness is useless unless they pass on what they have witnessed.
And it would make me so happy if she did indeed tell Angel, because
now she does understand and can share with other Slayers, her
friends, and doubters like Angel, that there was a vampire who
sought his soul and saved the world, his soul, and became a hero.
It's no longer the confused "he has a soul now" it's the more
accurate "he got his soul back."
The point is Buffy is now sharing that love and memory in all its
glory. Nothing held back. And if Angel can't take it, that's his
problem.
Angel's trying to rearrange events in his own mind because the truth
is just too shattering for him.
He's acting like the anti-John the Baptist. Spike-o-philes love to
point out that Spike helped save the world once before, if for
selfish reasons. But it was Whistler who pointed out that Angel was
the one the Powers thought would turn the tide. Instead, he was the
one everyone was trying to stop.
So what if Spike is the one with the destiny of Shanshu, humanity
from an undead state, and Angel was paving the way? Making his own
mark while Spike eventually comes into realizing his destiny?
That's the thing here, guys. Neither vampire has played out their
role to the fullest yet. We might get more surprises on the way.
I promised ships and I will deliver. I think Fred may ultimately be
Spike's deliverer but not the romantic interest. Or at least not
until the popular prediction of after Buffy's appearance. As for
Harmony, it's hard to say. She might not be the best choice as of
yet, but I think there may be some latent lust between the two of
them. Will it blossom into love? Doubtful. Even at his most
compromised, Spike is still loyal to his Slayer. But there will be
opportunities for nookie having in the interim when he becomes solid
through.
So next week we get Veruca II: Angel Style. Sounds intriguing.
"Joan of Arcadia" could actually be a show I would watch if it was on
another time slot. I'd like to at least pretend I have a life on
Fridays.
Tough year for me in sports. All my teams lost on Saturday. Sigh.
School of Rock: Any good?
I cannot wait for the Tenacious D movie to come out.
"Smallville" seemed pretty convenient for me on Wednesday. Clark
conveniently shatters the red kryptonite ring. Lionel Luthor
conveniently has a friendship with Rutger Hauer. Lana conveniently
breaks up with Clark. And Lex conveniently reconciles with his
father with subtle hints that he's not all there in the head. I hope
that isn't the ultimate reason why he becomes Superman's enemy:
because he went funny in the head.
I knew the Smallville/Angel combination would kick butt!!
That should about do it for me. Thanks for your patience and I'll
get the next one out on Saturday. Texas time zone=bed earlier.
Tallgent
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