.:: Transcript 7x14 - First Date ::.
Written by Jane Espenson
Original U.S. Air Date: February 11th, 2003
Transcribed by: CariCranberry
For: http://www.buffyworld.com
NB: The content of this transcript, including the characters and the
story, belongs to Mutant Enemy. This transcript was created based on
the broadcast episode.
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TEASER (RECAP SEGMENT):
GILES (V.O.)
Previously on Buffy the Vampire Slayer:
1 INT. BASEMENT AT SUNNYDALE HIGH - NIGHT
Jonathan is packing up his bag, when Andrew comes to him and puts his
right hand on Jonathan's shoulder. Jonathan looks up at Andrew, stands.
Jonathan's eyes widen as Andrew takes his left hand and stabs him in
the belly with a dagger. Jonathan looks at Andrew, hurt. Jonathan collapses
onto the metal object that they unearthed. He bleeds profusely, with
his blood filling the grooves in the object.
XANDER (V.O.)
You killed your best friend.
Cut to:
2 INT. BASEMENT AT SUNNYDALE HIGH - DAY
Andrew leads Buffy, Dawn, and Xander to the room where he killed Jonathan.
ANDREW
It didn't work 'cause there wasn't enough blood.
Cut to:
3 INT. BASEMENT AT SUNNYDALE HIGH - NIGHT
Spike is tied to the wheel-like construct with all four corners of his
body pulled in opposite directions. Spike's body has symbols carved
into his chest. Spike/First morphs into Buffy's form. A Harbinger cranks
a wheel attached to a mechanism that hoists the wheel Spike's tied to
into the air. Spike is now hanging from the wheel about ten feet from
the ground, bleeding steadily from his ritualized symbol-shaped cuts.
BUFFY
I bet that's what the First needed Spike for.
Spike's blood is falling on the Seal of Danthazar that's right below
him. It's pooling in the grooves and being absorbed into the seal. The
seal starts to glow. One by one, the pointed tips of the pentagram at
its center fold up, forming a pyramid. Light comes out from under it.
Cut to:
4 INT. DINING ROOM AT BUFFY'S HOUSE - DAY
Xander is squatting next to Andrew's chair, untying him.
BUFFY
We don't have time to baby-sit a hostage.
ANDREW
I'll be good.
Cut to:
5 INT. BASEMENT AT SUNNYDALE HIGH - DAY
After covering up the seal, Buffy and Dawn walk out of the Seal of Danthazar
room. Principal Wood passes them in the basement hallway, carrying a
shovel, looking a little disheveled.
PRINCIPAL WOOD
Apparently somebody left this in the courtyard, and I was just returning
it.
BUFFY
That's some full-service principaling.
PRINCIPAL WOOD
I try.
Cut to:
6 INT. BASEMENT AT BUFFY'S HOUSE - DAY
Spike is sitting on a cot, his wrists chained to the wall. Suddenly,
his face contorts and he twitches.
SPIKE
Ow ow ow! (leans back, thrashes against the wall, holds his hands to
his head, writhing in intense pain)
BUFFY
There's gotta be a reason why the chip is going all wonky.
Cut to:
7 INT. THE INITIATIVE SUNNYDALE HEADQUARTERS - DAY
Buffy's standing outside the examination room where Spike is lying on
a table. The lead soldier comes up to her. She turns to look at him.
SOLDIER
This chip...we can either repair it... or remove it.
Buffy blinks, looks down, and takes a deep breath.
Cut to:
8 INT. FLAT IN ENGLAND - DAY
Giles enters the flat and sees Robson, who's found near a chair in the
next room. Giles goes to his side.
GILES
Robson!
XANDER (V.O.)
Robson blacked out, but the last thing he remembers is Giles's head
about to get real familiar with a Bringer's very sharp axe.
ROBSON
(eyes flash open) It's started...
A Bringer steps up behind Giles, carrying an axe.
Fade to black.
End Recap.
The Start Of Episode
PROLOGUE:
9 INT. FLAT IN ENGLAND - DAY
Resume. Giles is talking to Robson while a Bringer sneaks up behind
him, wielding an axe.
GILES
I understand. I'll take care of i—
One of the robed men sneaks up behind Giles wielding a battle-axe.
He swings it at Giles. Giles grabs the shaft of the axe right before
the blade touches him. He stands, punches the Bringer in the stomach,
and takes control of the axe. Holding the axe handle with a hand on
either end, he knocks the Bringer in the chin, sending him backwards
into a chair. Giles swings the axe at the Bringer's neck, chopping off
its head.
Cut to:
10 EXT. CEMETARY IN SUNNYDALE - NIGHT
Giles is telling his story to the girls as they patrol. Buffy, Kennedy,
Amanda and a new slayer in training are with him.
GILES
It was, uh, extraordinary good luck, of course. And—and, uh, training—years
of training. Chao-Ahn, keep up. You're new here, Chao-Ahn, so take note.
Remember about training. But I honestly feel the largest part of it
was instinct. Instinct and-and reflexes. There's a sort of wary watchfulness
I've developed over the years. It's like another sense—
From out of nowhere, someone attacks Giles, knocking him to the ground.
It's Spike.
BUFFY
(worried) Spike!
(simultaneously)
GILES SPIKE
Hey! Hey!
You're not in pain. You're not the First.
GILES
What?
SPIKE
Anya said you were the First. Said you were evil. You're supposed to
be all go-through-able. (stands, walks to Buffy's side)
GILES
(stands) Then what the hell did you tackle me for, you berk? What's
that supposed to do?
SPIKE
I, uh, I didn't think of that.
GILES
More importantly, you just hit me. Why didn't your chip go off?
SPIKE
(looks down) Yeah, well...
BUFFY
Well, uh, when we were at the Initiative... (looks at Spike)
SPIKE
(looks at Buffy) There was a choice.
BUFFY
(looks at Giles) Right. Either repair the chip, or to remove it.
GILES
You had it remov—You removed the chip?
BUFFY
(smiling, trying to look innocent) Yeah.
SPIKE
Had to make a choice.
BUFFY
It really is OK.
AMANDA
What's a chip?
KENNEDY
They removed the chip?
CHAO-AHN
(speaking Chinese)
SUBTITLE: I don't understand a word any of you are saying.
Cut to:
Opening Credits.
ACT I:
11 INT. BUFFY'S ROOM AT BUFFY'S HOUSE - DAY
Buffy's sitting at her vanity, putting on large gold hoop earrings.
She's wearing a thin v-necked red sweater. Giles walks down the hall
toward her room and stops at the doorway.
GILES
You know this is very dangerous.
BUFFY
Ah, you just heard the horror stories. Wear hoops, they'll catch on
something, rip your lobe off. Lobes flying everywhere.
GILES
(rolls eyes) That's not what I'm talking about.
BUFFY
You mean Spike not having a chip. Free range Spike?
GILES
I have to ask—why on Earth did you make that decision?
BUFFY
Guess it was instinct, like you were talking about.
GILES
I made that up! (walks into the room) I knew the Bringer was there because
his shoes squeaked. (sits on her vanity) Buffy, it's crucial that we
keep these girls safe. I can't count the dangers—the First, the
Bringers, random demons, and now Spike?
BUFFY
And the Principal.
GILES
What?
BUFFY
Oh, nothing much. He was in the school basement, holding a shovel, acting
evasive. Plus, he's got that whole "too charming to be real"
thing going on. I'm looking into it.
GILES
(stands) Oh, well that sounds very responsible of you. Balances out
the vampire-on-the-loose issue.
BUFFY
(stands, walks across the room to fold laundry) Nothing's changed, Giles.
Spike had a chip before, remember? When the First had him kill and sire
all those people.
GILES
We have no idea if his chip was working then. (takes off glasses) A
new chip might restrain him should the First attempt to activate him
again.
BUFFY
(turns to face Giles) Spike has a soul now. That's what's gonna stop
him from hurting people.
GILES
Buffy...
BUFFY
He can be a good man, Giles. I feel it. But he's never gonna get there
if we don't give him the chance. (walks to her closet to put the clothes
away)
GILES
(walks up to Buffy) Buffy, I want more for you. Your feelings for him
are coloring your judgement. I can hear it in your voice. (Buffy sighs)
And that way lies a future filled with pain. I don't want that for you.
BUFFY
We haven't— (looks uncomfortable) Things have been different since
he came back.
GILES
It doesn't matter if you're not physical with each other anymore. There's
a connection. You rely on him, he relies on you. That's what's affecting
your judgment.
BUFFY
You think I'm losing sight of the big picture, but I'm not. When Spike
had that chip, it was like having him in a muzzle. It was wrong. You
can't beat evil by doing evil. I know that. (walks out of the room)
GILES
(calling after her, calmly) Well, I hope you're right. You're gambling
with a lot of lives.
Cut to:
12 EXT. HOME IMPROVEMENT STORE - DAY
Xander's standing around in a crowd of customers watching a green-aproned
store employee cut a length of pipe with a huge power tool. He looks
around and notices a pretty woman looking at the spools of rope on a
display. Xander walks over to her, taking off his safety glasses.
XANDER
Hi, can I help? You seem kind of confused.
WOMAN
(holding a rope, looks at his clothes) You aren't wearing a green apron.
XANDER
Confused, but sort of randomly observant.
WOMAN
Sorry, I just mean... you don't work here, right?
XANDER
No. Right. Just helpful. I'm Xander.
WOMAN
Lissa. (they shake hands) And I guess I could use some advice. I can't
even figure out if I've got the right kind of rope.
XANDER
That depends on what you need it for. Something like functional around
the house, or, you know, recreational. (Lissa raises her eyebrows and
grins) By which I mean, for example, boating or mountain climbing—not
for tying someone up for sexy, funky fun. (Lissa giggles) In conclusion,
rope can be useful in various ways.
WOMAN/LISSA
I have a kayak.
XANDER
Again with the random. I like it.
LISSA
Sorry. I need to store my kayak. So I was thinking maybe I could sorta
suspend it from the ceiling in the garage with ropes and a pulley or
a winch thing.
XANDER
Not a bad plan. You'll need stronger rope than that. Wanna have coffee
with me later?
LISSA
What?
XANDER
Oh, you're the only one that gets to be random? (Lissa smiles)
Cut to:
13 INT. PRINCIPAL WOOD'S OFFICE AT SUNNYDALE HIGH - DAY
While no one is looking, Buffy walks into the office labeled "Principal.
Robin M. Wood" on it and closes the door behind her. She looks
through files on his desk, then looks around the room.
BUFFY
Now, if I were a sign of being evil, where would I be?
Buffy notices a wall cabinet, and walks up to it. Before she can open
it, Principal Wood walks into the office.
PRINCIPAL WOOD
Uh, Buffy?
BUFFY
(turns to face him) Principal Wood. It's you.
PRINCIPAL WOOD
You looking for something?
BUFFY
File folders. And mechanical pencils. Well, I want to write on a file
folder with a mechanical pencil.
PRINCIPAL WOOD
The supply cabinet in the outer office has those things.
BUFFY
Oh, this isn't a supply cabinet? My bad. OK. Thanks. (starts to walk
out)
PRINCIPAL WOOD
(steps in her path) Hey, Buffy...
BUFFY
Yeah?
PRINCIPAL WOOD
Um, what're you doing tonight?
BUFFY
Preparing for tomorrow's counseling sessions.
PRINCIPAL WOOD
No, really.
BUFFY
Watching a reality show about a millionaire.
PRINCIPAL WOOD
Well, then, I'd, um— I'd like to take you out to dinner, if that's
all right with you. I mean, you don't have to. I'm certainly not saying
come to dinner if you enjoy having a job. (chuckles then realizes what
he said) You know, I may have to make up a document saying I didn't
just say that and have you sign it.
BUFFY
(smiles) Sure. I'd be happy to have dinner with you.
PRINCIPAL WOOD
Great. I'll draw up the paperwork.
Buffy nods and walks out of the office. Principal Wood closes his office
door after her, then takes a bloody handkerchief out of his breast pocket.
He unfolds the bloody handkerchief, revealing a knife inside. Wiping
the blood off the knife, he walks toward the cabinet Buffy had been
curious about. Upon opening it, there's just a standard dry-erase board
inside until the Principal raises it out of the way to show a hidden
compartment behind it where dozens of exotic knives are displayed. He
puts the knife he's holding back in it's place and looks over his shoulder
toward the door.
Fade to black.
ACT II:
14 INT. LIVING ROOM AT BUFFY'S HOUSE - DAY
Buffy's sitting on the couch while Willow's folding laundry from the
laundry basket beside her.
WILLOW
(folding socks) So, he asked you out to dinner?
BUFFY
Yeah. Isn't that weird? I mean, he's a Principal. He's a young, hot
Principal with earrings, but he's a Principal. Why do you think he asked
me out? I mean, he could be interested, right?
WILLOW
Yeah, sure. You're a frisky vixen.
BUFFY
Or, it could be work-related. Maybe I'm getting promoted for doing such
a good job.
WILLOW
(laughs, then notices Buffy's hurt look and gets serious) Oh, right,
that—that makes sense too.
BUFFY
Or, maybe he knows that I suspect he's up to something, and he's taking
me out to kill me.
WILLOW
(shrugs) Well, you'll have to dress for the ambiguity.
BUFFY
You know, it's not even that he's acting that suspicious. It's just—there
he is. On the hell mouth. All day, every day. That's got to be like
being showered with evil. Only from underneath.
WILLOW
Not really a shower.
BUFFY
A bidet. Like a bidet of evil.
WILLOW
Buff, if he's really interested, (smiles) are you interested back?
BUFFY
(blushes) I don't know. He's good-looking, and he's—he's solid,
he's smart, he's normal. So, not the wicked energy, which is nice 'cause
I don't want to only be attracted to wicked energy. Or what if he is
wicked, in which case, is that why I'm attracted to him?
WILLOW
I'm gonna wait for that sentence to come around again before I jump
on.
BUFFY
(grins) You know what? Yeah, I mean I think I like him. And he'd be
good for me.
WILLOW
(nods) Right. Help you move on.
BUFFY
(defensively) Why does everybody in this house think I'm still in love
with Spike?
WILLOW
No, I-I meant move on from this imposed super-self-reliance. Let somebody
get close.
BUFFY
Oh. (the front door opens) Hey, someone's here.
XANDER
(comes in through the front door, giddy) Guys, guess what happened.
WILLOW
(grins) Buffy got a date!
XANDER
(excited) No, I did. (looks at Buffy, frowning) Fine. Way to steal my
thunder.
BUFFY
Sorry. If it makes you feel better, it's Principal Wood, and I think
he's aligned with the First.
XANDER
Also, like ten years older than you, right?
WILLOW
(teasing) Which is like 100 years younger than your type!
BUFFY
Yay. Someone who doesn't remember the Industrial Revolution.
WILLOW
I think they're gonna end up making out. (mocking, holds a pair of socks
to her chest lovingly) "Oh, Principal Wood," she'll gasp,
"I love your lack of wicked energy."
BUFFY
(throws a pair of socks at Willow) Watch it, or I'm gonna make you talk
about your new girlfriend who you hold hands with under the dinner table
and think we don't notice.
WILLOW
How 'bout yours, Xander. Is she evil?
XANDER
Well, she's interested in me, so there's a good chance, but I'm hoping
for the best. We're going for coffee. She has a kayak—
Giles and Chao-Ahn come through the front door, loaded with overflowing
shopping bags.
GILES
(putting down the shopping bags) Dear lord, I hate that mall. The shop
assistants are rude. And everything in the Food Court is sticky.
WILLOW
Looks like you found her some stuff.
GILES
Oh, hello. Yes.
XANDER
That's gotta be rough. Getting just like pulled out of your home, being
told you're a potential slayer, not being able to bring anything.
GILES
Yes, and the language barrier is formidable. I was concerned that my
Mandarin is a little thin, but as it turns out, she speaks Cantonese,
which is thinner. But we muddled through, and, as I suspected, ice cream
is a universal language.
CHAO-AHN
(speaking Chinese)
SUBTITLE: Like many from Asia, I am lactose intolerant. I'm very uncomfortable.
BUFFY
(smiling, nodding, talking through her closed teeth) What'd she say?
GILES
She's grateful to be in the land of plenty. (to Chao-Ahn, slowly) Let's,
um, go and put away your new clothes. (picks up bags and walks upstairs;
Chao-Ahn nods and follows)
BUFFY
Hey, Will, do you think you can do a computer check on Principal Wood.
See if you can find anything out.
WILLOW
Yeah, sure. Want me to check your girl out while I'm at it, Xand?
XANDER
Nope. I'm going in blind. I'm gonna be an optimist about this. Why go
looking for trouble? If it's gonna find you, it's gonna find you.
Cut to:
15 INT. KITCHEN AT BUFFY'S HOUSE - DAY
Andrew's standing by the new microwave that's on the counter, reading
the manual, holding a highlighter pen.
ANDREW
(reading the cover page) "Getting the most out of your new microwave."
(nods) Hm. Nice. (opens the manual, reading) "Clock comma setting
the, page 3." (leans the manual on the countertop to highlight
text in it)
JONATHAN/FIRST
You don't need a manual, it's intuitive. (Andrew notices Jonathan/First
and backs away into the corner) There's a button marked "Clock
Set" for pity's sake. What kind of a nerd are you? (scoffs) No
wonder you crashed your jet pack.
ANDREW
No, get thee behind me. (takes a cross out of his jeans pocket) I rebuke
thee. (holds out the cross) Take that, The First!
JONATHAN/FIRST
(rolls his eyes) Look, you monkey. (walks up to Andrew, sticks out his
hand and passes through the cross) Ooh. Ahh. It burns as it ineffectually
passes through me. (puts his hand at his side) I'm not corporeal, remember.
Also, not a vampire, so—a cross?
ANDREW
(puts the cross on the counter) What do you want from me, Jonathan slash
The First?
JONATHAN/FIRST
I have an assignment for you.
ANDREW
Um, I follow Buffy's orders now. I'm redeeming myself for... killing
you—I mean, for... killing Jonathan.
JONATHAN/FIRST
Really, why? (laughs) So you can earn a spot on her little pep squad?
You think she'll ever let you in? You're a murderer.
ANDREW
(nods) Confidentially, a lot of her people are murderers. Anya and Willow
and Spike.
JONATHAN/FIRST
Interesting. And you're the only one she makes seek redemption. Does
that seem fair to you?
ANDREW
(squirms in place) I guess not.
JONATHAN/FIRST
You know we're headed toward a fight, don't you?
ANDREW
Yeah.
JONATHAN/FIRST
What do you think the world's gonna be like after that? Newsflash. There's
not going to be a slayer gang anymore. But there is going to be Evil.
And as long as there is Evil, I live. And as long as I live, you can
dwell at my side.
ANDREW
That sounds nice.
JONATHAN/FIRST
Your assignment won't be hard. They're just little girls.
ANDREW
You want me to hurt the girls?
JONATHAN/FIRST
Uh, no, not all of them. Not Dawn, not Anya, not Willow, and not your
friend Buffy. Just the potential slayers.
ANDREW
That's—that's horrible. (points) I'm-I'm gonna scream and—and
get Buffy in here.
JONATHAN/FIRST
She can't see me, and I'm gonna keep talking until you hear what I have
to say, so listen up, OK? The girls must die.
ANDREW
(breathes deeply) I could never do that. All those girls, a-all that
blood—I-I didn't like the stabbing before.
JONATHAN/FIRST
You don't have to stab. This'll be easy. Andrew, I want you to think.
Willow brought something to this house—something good, something
you can use.
ANDREW
(thinks for a moment, then gestures spokes-model-style) The new microwave?
JONATHAN/FIRST
(blinks deliberately, then glares) The gun. I want you to think hard.
Where did they put the gun?
ANDREW
Hmm.
Cut to:
16 INT. UPSTAIRS BATHROOM AT BUFFY'S HOUSE - DAY
Anya's cleaning a spot on a blouse while Buffy waits wearing jeans and
a lace camisole.
ANYA
I don't think it's really a date. That's what I think. (scrubbing the
shirt)
BUFFY
Well, it is unclear. That's why I chose a top that says, you know, I'm
comfortable in a stodgy office or a swinging casual setting—or
killing you, you know, if you're a demon.
ANYA
It also says I sometimes get blood on my shoulder. (looks at the shirt
again) Or it might be pizza. (hands the shirt to Buffy) I don't think
I can fix it.
BUFFY
Thanks for trying.
ANYA
And I wasn't talking about your date anyway. I was talking about this
sham date of Xander's. I think it's part of a plan to make me jealous.
BUFFY
(shakes her head) Well, it's not working.
ANYA
Are you nuts? Of course it's working. Observe my-my bitter ranting.
Hear the shrill edge of hysteria in my voice.
BUFFY
Um, I should really go find something else to wear. (walks out of the
room)
ANYA
Fine, go. Leave me here to stew in my impotent rage. (Buffy stops, turns
to look at Anya) I'm also gonna pee, (nods) so you should probably go.
(shrugs)
Cut to:
17 INT. UPSTAIRS HALLWAY AT BUFFY'S HOUSE - DAY
Buffy steps out of the bathroom into the hallway to find Spike walking
down the hall. They are face to face. Buffy stops in her tracks as soon
as she sees him and tries to cover herself with the stained blouse.
SPIKE
You look nice.
BUFFY
Oh, thanks. (looks down at her camisole) Uh, traditionally, one wears
something over this.
SPIKE
Heard you got a date.
BUFFY
(nervous) Well, it's unclear. I mean, I have this whole theory about
a promotion. Or he's evil.
SPIKE
Buffy, I'm all right.
BUFFY
You don't have to—
SPIKE
What? Be noble? I'm not. Really, I'm all right. Think I still dream
of a crypt for two with a white picket fence? My eyes are clear.
BUFFY
Good. I'm glad. Thank you.
SPIKE
Never much cared for picket fences, anyway. Bloody dangerous.
BUFFY
You should try this too. The going out thing, I mean. I mean, there's
that girl you brought to Anya and Xander's not-a-wedding.
SPIKE
Oh, yeah, right. There's always girls who like the look—bad boy,
you know. (nods) Does it for some of them.
BUFFY
Yeah, I can see that. I should go. I don't wanna be late.
Buffy walks down the hall past Spike.
Cut to:
18 INT. COFFEE SHOP - NIGHT
Xander's sitting alone at a table, staring at the clock on the wall;
it reads 8:30. Xander sighs to himself for a moment, then Lissa walks
in.
XANDER
Lissa! Hi. (stands) I was afraid you weren't coming.
LISSA
You said 8:30, right? Did you think I was going to stand you up? (sits)
XANDER
(sits) Well, it would be kind of karmic.
LISSA
What?
XANDER
Forget it. I'm just glad you're here. You're gonna love the coffee.
Got myself a redeye—it's black coffee with a shot of espresso.
(Lissa grabs his mug to inspect it, Xander tries unsuccessfully to stop
her) It's kinda rough if you're not used to that sort of thing—
LISSA
(tastes Xander's drink) It's hot cocoa.
XANDER
Well, sometimes I don't sleep too good. I just lost macho points, didn't
I?
LISSA
(shrugs) Hey, who wants macho? I like that you like hot cocoa. (to waiter)
Redeye, please. (shrugs) Sounded good.
Cut to:
19 INT. DINING ROOM AT BUFFY'S HOUSE - NIGHT
Willow's sitting at the dining room table, using her laptop, with Dawn
and Amanda on either side of her and Kennedy behind her looking on.
DAWN
Nothing? No records or certificates? College transcripts?
AMANDA
Looks like the only stuff in the system about Principal Robin Wood is
super-recent. Like, since he moved to Sunnydale.
WILLOW
I've Googled 'til I just can't Google no more. He's not in there.
KENNEDY
Well, that's suspicious.
Anya storms into the dining room holding a stack of papers. Giles follows.
GILES
Anya, calm down. They're educational—
WILLOW
(Anya hands the papers to Willow) What's this?
Willow flips through the papers. They are crude stick-figure drawings
in black and red marker depicting "Bringer" on one, "Vampire"
on another, and "The Slayer (Buffy)" as well. There are more,
but we get the idea. Each one shows a gruesome, bloody mess as the creature
shown is drawn killing someone or something.
ANYA
Giles made them for Chao-Ahn, and now she's locked herself in the bathroom.
There's other girls upstairs, and they're starting to complain.
GILES
Those are flashcards. I-I made them to facilitate her training. Chao-Ahn
never had a watcher. The language problem—
WILLOW
You showed her these?
GILES
I wanted her to understand the seriousness of her situation.
DAWN
Holy crap!
Dawn holds up one of the pages labeled "Turok-Han" that shows
the creature standing over a girl that's been ripped in half along her
waistline, spilling a huge pool of blood everywhere.
GILES
Perhaps I'll rethink the approach.
WILLOW
In the meanwhile, wanna help us get researchy? We're trying to invade
Buffy's date's privacy.
GILES
Buffy has a date?
ANYA
(rolls her eyes) Yes... Didn't you hear? Everybody has a date. Buffy
has a date. Willow's been completely making out with this girl—
KENNEDY
(stands, pouts) Hey!
ANYA
Xander's out with some hardware-store-whore. It's Date Fest 2003. (sits)
WILLOW
Actually, Buffy's investigating Principal Wood. It's not a date.
GILES
Really.
WILLOW
Might be a date.
GILES
For God's sake! How can anyone think about their social life? We are
about to fight the original primal evil. These girls are in mortal danger.
Didn't you see the flashcards? This isn't right.
From behind the French doors, Andrew is stealthily watching them talk
in the dining room.
Cut to:
20 EXT. ALLEY IN SUNNYDALE - NIGHT
Buffy and Principal Wood are walking down a dark alley side by side.
Buffy looks around, uncomfortable.
BUFFY
This isn't right. (stops walking)
PRINCIPAL WOOD
I know it doesn't look promising, but I swear this place is great. It's
the best kept secret in town. It's just right down this way. (they start
walking again)
BUFFY
Well, it is one of the nicer dark alleys.
PRINCIPAL WOOD
I promise you, it's just a little bit further.
BUFFY
OK...
As they walk down the alley, a vampire steps out in front of them.
Then two more step up behind them, growling. Buffy starts fighting them
immediately. There's a horde of them now. She manages to punch them
and kick them away from her one by one until she has opportunity to
get her stake out of her purse. She stakes one, then another, then another.
BUFFY
(to the Principal) You set me up, you son of a—
Buffy realizes that Principal Wood is also fighting off vampires. Without
her help.
BUFFY
(confused) What?
Principal Wood overpowers one of the vampires and stakes him. Then
knocks the last one to the ground, staking him too. He flips the stake
in his hand, then returns it to his belt holster as he walks back to
Buffy.
PRINCIPAL WOOD
(offers her a hand to help her stand) I guess we should talk.
Fade to black.
ACT III:
21 EXT. ALLEY IN SUNNYDALE - NIGHT
Resume. Buffy's staring at Principal Wood.
PRINCIPAL WOOD
The restaurant's right there. (gestures to the door)
Buffy walks with him into the restaurant.
Cut to:
22 INT. COFFEE SHOP - NIGHT
Lissa and Xander are sitting at a table talking.
LISSA
And you still have to see her, like, everyday?
XANDER
Yeah, but I guess that's good.
LISSA
How is that a good thing? I mean, it seems like she never let you forget
what happened.
XANDER
Well, it's on her mind a lot right now because our anniversary's coming
up—I mean, it would have been our anniversary. And maybe I shouldn't
be allowed to forget it. I did—it was a bad thing, and it hurt
her real bad.
LISSA
And if you'd gone ahead and married her, even though you had doubts,
that would've been better?
XANDER
I guess not.
LISSA
Sounds to me like, in the long run, you're both better off. (flirtatiously)
I know it turned out good for me, and that's what really matters, right?
XANDER
(laughs, nods, looks into her eyes) I should have taken you on a nicer
date than this.
LISSA
(smiling sexily) Well, I can think of something fun to do.
Cut to:
23 INT. ROMANTIC FRENCH RESTAURANT - NIGHT
Buffy and Principal Wood are sitting across from each other at a small
table in a very elegant, romantic restaurant. Principal Wood is talking
to the waitress, ordering from the menu.
PRINCIPAL WOOD
(to waitress) Thank you.
BUFFY
This place is nice. How the hell did you do that?
PRINCIPAL WOOD
(chuckles) I've had a little practice. Never took on two at once before,
but I have taken out a vamp here or there. And some demons.
BUFFY
So, you're freelance?
PRINCIPAL WOOD
Hm... freelance— (nods) I guess that's a good way to put it.
BUFFY
And you know who I am?
PRINCIPAL WOOD
You're the slayer.
BUFFY
Right. OK, um, so I'm guessing that you don't work in an office 15 feet
above the hell mouth because you enjoy educational administration?
PRINCIPAL WOOD
Well, I actually do enjoy the work, but yeah. Yeah, you're right. I
maneuvered myself into that school, that office—just like I maneuvered
you there. The hell mouth draws the bad things in close, and now we're
headed for something big, Buffy. Really big, and I need to be here when
it happens. I want to help.
BUFFY
So, y-you didn't hire me for my counseling skills?
PRINCIPAL WOOD
(laughs heartily, then sees Buffy's hurt look; then straight-faced)
They're valuable too.
BUFFY
Wh-why didn't you tell me about you?
PRINCIPAL WOOD
I wasn't sure about things yet.
BUFFY
Y-you didn't think you could trust me?
PRINCIPAL WOOD
No, no. No, I wasn't sure I was ready yet—ready to jump into this
fight.
BUFFY
And now you are?
PRINCIPAL WOOD
Well, now the fight is starting—or starting to start—and
I don't have time to worry anymore. I have to do something.
BUFFY
So, you knew who I was before you even came here.
PRINCIPAL WOOD
Yes.
BUFFY
How? How do you know about slayers?
PRINCIPAL WOOD
Right. (nods) OK. See, when I was a little boy, my mother was one. The
one, actually—the slayer.
BUFFY
Your mother— (sighs) Wow, I didn't know that any slayers had children.
PRINCIPAL WOOD
Well, I don't know of any others. She was killed when I was four. I
still remember her, but it's a little...fuzzy? You know?
BUFFY
(nervously) Um, something got her... a demon—?
PRINCIPAL WOOD
A vampire. Oh, man, I went through this whole "avenging son"
phase in my twenties, but I never found him. So, now I just dust as
many of them as I can find. I figure, eventually I'll get him. That's
probably why we got jumped outside. I'm not very popular with the bumpy-foreheaded
crowd, and I bet you aren't either.
BUFFY
(shakes head) No. Not most of them. Um, so, do you have any slayer powers?
(giggles) I'm sorry, I—I'm just so floored. I-I have no idea what
to ask.
PRINCIPAL WOOD
No, I don't have powers. No super-strength or mythic responsibilities.
I'm just a guy with a few skills 'cause her watcher took me in and raised
me.
BUFFY
So, you decided to tell me?
PRINCIPAL WOOD
That's right.
BUFFY
In a darkened, little romantic French restaurant?
PRINCIPAL WOOD
Um, yeah...(nods) Yeah, I'm not really sure how that happened, but yeah.
Cut to:
24 INT. LIVING ROOM AT BUFFY'S HOUSE - NIGHT
Jonathan/First is standing in the middle of the room, talking to someone.
JONATHAN/FIRST
Did you find the gun?
He's talking to Andrew, who steps forward into view holding a brown
paper bag folded over neatly at the top.
ANDREW
Yes, it was in Buffy's underwear drawer. She has nice things.
JONATHAN/FIRST
Show me.
ANDREW
Well, I didn't take 'em, but there were thongs and regular underpants—
JONATHAN/FIRST
(annoyed) Show me the gun.
ANDREW
Oh. (opens paper bag and holds it out toward Jonathan/First) Here. (Jonathan/First
looks in the bag to see the gun at the bottom) Willow tried shooting
Kennedy with that.
JONATHAN/FIRST
Great. There's gonna be panic and fleeing when you start firing, so
you're gonna have to get them trapped someplace like the basement.
ANDREW
And we're killing them because...?
JONATHAN/FIRST
Because they're the future of the slayer line. When they're gone, the
line is gone.
ANDREW
Uh-huh, uh-huh. Um, so why not have Spike do it? He's the one with the
trigger.
JONATHAN/FIRST
It's not time for him yet. You can wait for the next time they're training
in the basement, but don't rely on a locked door to keep them in. You'll
need more.
ANDREW
(nods) OK. (walks nervously toward the desk, leans against it) Say,
um, do you have any weaknesses I should know about if I'm gonna work
for you, like, uh, kryptonite or allergies?
JONATHAN/FIRST
What are you asking?
ANDREW
Oh, nothing, um... (nervously plays with items on the desk) Are you—are
you made out of the evil impulses of humans, so if everyone was unconscious
at the same time, you would fade away?
JONATHAN/FIRST
You're asking a lot of questions.
ANDREW
Yes, well, I, uh, because... 'cause I'm evil, and I want to do the best
I can at that, so I want to... (clears throat) know stuff like when—when
do we kill Buffy?
JONATHAN/FIRST
Are you wearing a wire?
Cut to:
25 INT. DINING ROOM AT BUFFY'S HOUSE - NIGHT
Willow's sitting at the table wearing headphones. Dawn, Kennedy and
Amanda are sitting at the table with her. Suddenly Willow winces and
takes the headphones off too quickly.
KENNEDY
Wh—what's going on?
Willow has a panic-stricken look on her face.
Cut to:
26 INT. LIVING ROOM AT BUFFY'S HOUSE - NIGHT
Andrew stares nervously at Jonathan/First.
JONATHAN/FIRST
(walks toward Andrew) You think you can trick the First? You think you
could squirm free? I hold you, Andrew. I made you do this...
Jonathan/First presses the palms of his hands against his shirt. They
make a squishy sound. He pulls his hands away palm-up to show Andrew
they are smeared with congealing blood.
JONATHAN/FIRST
(softly) Jonathan suffered. He was your friend, and he trusted you,
and now he spends eternity in pain because of what you did.
ANDREW
No. What's happening to you?
Jonathan/First's body is deteriorating in front of Andrew's eyes as
it progresses slowly through the stages of decay. The skin is glistening
and turning a greenish-brown color.
JONATHAN/FIRST
This is what you did to him. Took away everything he was and left him
like this. You started down a road with that action. You have to keep
going.
ANDREW
Stop looking like Jonathan. You're not him. You're the First, and you're
trying to get me to shoot innocent girls, but I won't do it. I'm good
now. When the fight is over, I'm gonna pay for killing Jonathan.
JONATHAN/FIRST
(shakes his head) You're gonna pay for more than that. Do you know why?
Because the biggest, baddest First Evil in the world's angry with you.
Cut to:
27 INT. DINING ROOM AT BUFFY'S HOUSE - NIGHT
Willow's still listening in on Andrew's conversation with the First,
wearing her headphones again.
JONATHAN/FIRST (O.S.)
(echoy) You think this was smart?
WILLOW
(gasps, picks up her pen and paper) Wait. I'm hearing something.
JONATHAN/FIRST (O.S.)
You think you can trick me, women?
KENNEDY
(stands, looks around nervously, takes off Willow's headphones) It's
not in the headphones. It's out here.
JONATHAN/FIRST (O.S.)
You only hear what I want you to hear. You only see what I want you
to see.
Jonathan/First appears behind Amanda in a flash of light. His body
is very decayed now, glistening and purplish with one side of his face
rotting faster where the flesh is opened and the eye is white. Amanda
screams and the other girls back away, frightened.
JONATHAN/FIRST
So many dead girls. There'll be so many. (disappears in a flash of light)
Cut to:
28 INT. UNKNOWN - NIGHT
Xander's looking down at someone, talking, wearing no shirt.
XANDER
I knew it.
Pan out to show he's in the basement of Sunnydale High, tied to the
wheel that Spike was hung on when he was drained to open the Seal of
Danthazar. Lissa is standing near the pulley.
XANDER
See? I knew it.
LISSA
Thanks for your help selecting the ropes. The one I picked wasn't strong
enough.
XANDER
Yeah, that would've been bad. Listen, is this because I'm friends with
Buffy?
LISSA
Who's Buffy?
XANDER
The slayer.
LISSA
You know the slayer?
XANDER
(Lissa starts pulling on the rope, lifting the wheel Xander's attached
to into the air) This can't just happen. It can't just keep happening
that demon women find me attractive. There's gotta be a reason.
LISSA
You just seem like a nice guy, that's all. And I wanted to get to know
you.
XANDER
And kill me?
LISSA
Sure. (ties off the rope) Do the ropes hurt?
XANDER
Yes.
LISSA
(smiles) Good.
Cut to:
29 INT. LIVING ROOM AT BUFFY'S HOUSE - NIGHT
The gang's gathered in the living room for a post-First-encounter pow-wow.
Dawn, Andrew, Giles, Anya, Willow, Kennedy, Amanda, and Spike are there.
WILLOW
(with Kennedy sitting on the chair, leaning over Willow's shoulder)
So, we're thinking it didn't go too well.
DAWN
(to Andrew, removing the tape that held the wire to his chest) You should've
let me do this fast.
ANDREW
(wincing) No, no, no. I hate that. Ow.
SPIKE
You tried to recall the ultimate evil? Why? In a complex effort to royally
piss it off?
KENNEDY
Guess we succeeded pretty good, huh?
ANDREW
God, I never should have gone in wired. (whiny) Redemption is hard.
GILES
Getting back to Spike's question, why did you try to recall it?
ANDREW
Ooh!
WILLOW
To study it. To see if we could figure something out from what it was
saying. Because, guys, we have to face it, we know nothing about the
First.
ANDREW
Owie! Ow ow!
ANYA
Well, we know not to record it. That's something.
SPIKE
Why did it appear to this one, then? (gestures to Andrew) I thought
it was supposed to be pulling my strings.
ANDREW
It said it wasn't time for you yet. (Dawn pulls off the last piece of
tape) Ow. I'm frightened. And my chest hurts where the tape was. (sits
down)
DAWN
It's OK, Andrew. You did good. You stood up to it. That's really amazing.
ANDREW
Thank you. You're a peach.
ANYA
Yeah. What did it want you to do, anyway?
ANDREW
Shoot all the girls.
DAWN
(worried) Shoot girls?
ANDREW
Not you, just the potentials.
DAWN
(relieved) Oh, well that's something, anyway. (covering for her relief,
looks around, sounding concerned again) Something tragic.
GILES
This proves my point. This time is crucial. We should be circling the
wagons instead of doing things like going out on dates when—when
gunplay is imminent. Willow, call Buffy. Get her back here. We need
to dispose of the gun and-and figure out our next move.
SPIKE
I'll go get her.
WILLOW
I'll call. (a cell-phone rings in the background)
AMANDA
Bet that's her. Sometimes you're thinking about calling someone—
WILLOW
(looking at her phone) No, it's a text message. (reading) Oh, it's from
Xander. It's one of our signals.
AMANDA
Signals?
WILLOW
Yeah, the system we set up a while back. Like codes. Uh, this one's
either "I just got lucky, don't call me for a while" or "my
date's a demon who's trying to kill me."
KENNEDY
You don't remember which?
WILLOW
It was a long time ago.
DAWN
Well, if we play the percentages...
GILES
Something's eating Xander's head.
ANYA
Say, that's gratifying.
ANDREW
Buffy will know what to do.
SPIKE
I'll go get her. (starts to go)
WILLOW
That's ok. (Spike sighs) We don't even know where she went. (a cell
phone rings in the background, zoom in on Buffy's cell phone that says
"Willow Calling." Willow picks up Buffy's phone from the table
beside her.) That's not good.
SPIKE
I'll go get Buffy. I can probably still track her scent. She'll be worried
about the boy. (walks out the door)
Cut to:
30 INT. ROMANTIC FRENCH RESTAURANT - NIGHT
Buffy and Principal Wood are on the dessert course now. Buffy's eating
something that gives her great delight.
BUFFY
Oh, my God! Mmm. Oh, my God. That might be the best thing I've ever
had in my mouth.
PRINCIPAL WOOD
Isn't it good? They soak the pears in brandy. Here, you need a bite
with sauce. (he feeds a bite to Buffy)
BUFFY
(looks up while being hand-fed by the Principal, sees Spike) Mm. What
are you doing here?
PRINCIPAL WOOD
(to Buffy) Is there a problem?
SPIKE
It's Xander.
Buffy's expression melts into one of worry.
Cut to:
31 INT. BASEMENT AT SUNNYDALE HIGH - NIGHT
Xander's suspended from the ceiling, tied to a wheel. Lissa's standing
below him.
XANDER
Look, I know what happens if that seal down there gets all excited.
I don't think you understand what you're getting yourself into.
LISSA
The seal opens, and a vicious feral vampire creature comes out.
XANDER
Well, then you do understand. But, uh, what makes you think that's,
like, a good idea?
LISSA
The end is coming. The final fight, and everyone is hearing the drumbeat.
It's telling us to pick our partners, align ourselves with the good
or the evil.
Lissa reaches behind her to grab a long, thin knife. When she turns
back to face Xander, her eyes have changed to a yellow lizard-eyed look.
She stabs Xander in the belly.
XANDER
Aaah! (blood flows from his wound down the knife onto the seal below)
LISSA
Couldn't have done it without you, Xander. Thanks for the great date.
Fade to black.
ACT IV.
32 INT. PRINCIPAL WOOD'S CAR - NIGHT
Principal Wood is driving the car, with Buffy as passenger and Spike
in the back seat. Buffy's very tense and uncomfortable looking, and
Spike's crouched down in the corner of the back seat.
BUFFY
You sure he's in the high school?
SPIKE
Willow did a locator spell. Usual stuff.
PRINCIPAL WOOD
I'm not surprised. That school's at the center of everything.
BUFFY
(sighs) How much longer 'til we get there?
PRINCIPAL WOOD
Ten minutes. (Principal Wood watches the rear view mirror suspiciously)
So, how do you two know each other?
BUFFY
(answering too fast) He works with me. Uh, you know, in the struggle
against evil.
PRINCIPAL WOOD
Mm. Cool.
Cut to:
33 INT. BASEMENT AT SUNNYDALE HIGH - NIGHT
Buffy bursts into the room where Xander's strung up.
BUFFY
Xander!
Buffy sees Xander hanging from the ceiling, but runs toward Lissa first,
punching her and disarming her by knocking the knife from her hand.
XANDER
Buffy!
Buffy and Lissa are fighting when Spike enters the room. Lissa starts
whaling on Spike. She kicks Buffy away, knocking her to the ground.
She pushes Spike down and starts strangling him, bringing forth Spike's
vampire facade. Principal Wood sees Spike's face change.
PRINCIPAL WOOD
He's a vampire.
XANDER
Oh, God! Hurry!
Principal Wood stops staring at Spike and goes to aid Xander, cutting
the ropes that hold his hands to the wheel, but the seal is already
beginning to open. Across the room, Buffy knocks Lissa off of Spike.
A Turok-Han is reaching out of the seal as it opens, but Principal Wood
escapes its grasp as he finally gets Xander down from the wheel. The
seal slams shut, cutting off the arm of the Turok-Han that was reaching
out. Principal Wood sets Xander down against a wall.
Buffy and Lissa are still fighting, struggling over possession of a
sword. Lissa knocks Buffy across the room, but Buffy holds on to the
sword. Spike engages in fighting Lissa, but he's getting his butt kicked.
Buffy pulls Lissa away from Spike and cuts off Lissa's head with the
sword. As her head is separated from her body, Lissa's true form is
revealed as a gruesome pinkish creature with hairy shoulders and stitches
all over its head and nasty black shark teeth on its lipless jaws.
BUFFY
(to Spike) Hey.
Buffy goes to Spike's side to make sure he's all right. She holds Spike's
hand, but sees Principal Wood staring at them as she comforts him. She
stands and goes to Xander. Principal Wood and Spike follow.
PRINCIPAL WOOD
I think your friend's gonna be OK.
BUFFY
Hey, Xand. I'm here.
XANDER
(grimacing) So, how's your date going?
Buffy looks at Principal Wood, who's staring at Spike. Spike glances
from Buffy to Wood.
Cut to:
34 INT. LIVING ROOM AT BUFFY'S HOUSE - NIGHT
Dawn's staring out the front door. Anya's pacing. Willow and Andrew
are sitting on the couch.
ANYA
Where are they? It's after 2. I can't believe Buffy hasn't brought him
home yet. His slut ate him up.
WILLOW
His slut didn't eat him up. And besides, I thought you were all angry
at him.
ANYA
My feelings are changeable but intense.
ANDREW
I understand your fear, Anya. I know fear myself 'cause, you know, I,
um, I enraged that primal force.
GILES
(walks into the room, holding a glass of milk) They're not back yet?
ANYA
(to Giles) I'm worried. I-I think we should go find them. Xander could
be injured or trapped or eaten up.
GILES
(looks at his watch) It is late. Perhaps a little reconnaissance might
be helpful.
CHAO-AHN
(comes downstairs, worried, wearing a red silk robe. speaking Chinese)
SUBTITLE: Why is everyone up? Are the flashcard monsters attacking?
GILES
(to the others) She says she can't sleep. (to Chao-Ahn) Um, I made myself
some warm milk. You can have it.
CHAO-AHN
(speaking Chinese angrily)
SUBTITLE: You're trying to kill me!
Chao-Ahn walks back upstairs.
GILES
She's shy.
DAWN
(looking out the front door) They're back! Oh, here they come.
ANYA
(goes to front door) Xander all right?
DAWN
Looks OK.
ANYA
Damn him!
Buffy leads Xander into the house. He's got his shirt wrapped around
his waist as a surrogate bandage. Spike follows them into the house.
WILLOW
What happened?
XANDER
What do you think happened? Another demon woman was attracted to me.
(Anya rolls her eyes) I'm going gay. I've decided I'm turning gay. Willow,
gay me up. Come on, let's gay.
WILLOW
(softly, a little embarassed) What?
XANDER
You heard me. Just tell me what to do. I'm mentally undressing Scott
Bakula right now. That's a start, isn't it?
ANDREW
(wistfully) Captain Archer... (nods)
XANDER
Come on, let's get this gay show on the gay road. Help me out here.
BUFFY
(smiles) What if you just start attracting male demons?
DAWN
(giggles) Clem always liked you.
ANYA
(pouting) It would serve you right.
GILES
Children, enough.
XANDER
I'd need some stylish new clothes.
GILES
Enough! Have you learned nothing from tonight's assorted chaos? There
isn't time for fun and games and quips about orientation. (holds up
flashcards) These—these aren't a joke. (flips through the cards)
This—this happens. Girls are going to die. We may die. It's time
to get serious. (walks out of the room)
Cut to:
35 INT. LIVING ROOM AT BUFFY'S HOUSE - NIGHT
Buffy's sitting on the couch alone in the living room. Spike walks in
and sits next to her.
SPIKE
Did anybody tell you about what happened around here tonight?
BUFFY
Willow did. The First is back in the mix.
SPIKE
It, uh, it talked to the little boy. Said it wasn't time for me yet.
I should move out. Leave town before it is time for me.
BUFFY
No, you have to stay.
SPIKE
You've got another demon fighter now.
BUFFY
That's not why I need you here.
SPIKE
Is that right? Why's that then?
BUFFY
'Cause I'm not ready for you to not be here.
SPIKE
(looks at her a moment) And the Principal? How's he fit in? (Buffy looks
at him a moment, then Spike looks away)
Cut to:
36 INT. BATHROOM AT PRINCIPAL WOOD'S PLACE - NIGHT
Principal wood is bent over the sink, rinsing out his mouth as he finishes
brushing his teeth. He stands upright to look in the mirror, only to
see a black woman with a 1970's afro hairstyle standing behind him smiling.
WOMAN
You look good.
PRINCIPAL WOOD
You're not my mother.
NIKKI/FIRST
I give you a compliment, and you don't say thank you? Did I raise you
that way?
PRINCIPAL WOOD
You didn't raise me at all.
NIKKI/FIRST
Well, I was dead.
Principal Wood turns to face her, then walks straight through her.
At the door to the bathroom, he stops and turns to face her again.
PRINCIPAL WOOD
(crosses his arms) So, you're the First. Why are you here? Why now?
NIKKI/FIRST
'Cause you've been coming up in the world—taking the demons out.
It makes a mother proud.
PRINCIPAL WOOD
Yeah? (steps forward) Well, think how pleased she'll be when I help
take you out. Until it's time for that, I've got no use for you. (turns
to walk away)
NIKKI/FIRST
Would you like to know who killed me? (Principal Wood stops in his tracks)
I know you went looking for him.
PRINCIPAL WOOD
(turns to face her) You don't know anything.
NIKKI/FIRST
Is that right? Well, you can check it out after I tell you. Check the
timing. Re-read what the witnesses said, and the people in the subway
station—
PRINCIPAL WOOD
Who is it?
NIKKI/FIRST
You met him. You know him. You fought at his side.
PRINCIPAL WOOD
Spike.
NIKKI/FIRST
(smiles) Now, what do you say?
PRINCIPAL WOOD
(looks down) Thank you.
Cut to:
Closing credits.
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